I began
songwriting before I knew how to read or write. My first memories of songwriting
were at the kitchen table, singing songs off the top of my head to my
mother while she cooked. Now I'm a mother myself, and I get such a kick
when my youngest daughter Gracie, with her sweet voice, does the same
thing! Watching kids do their thing is a key to understanding our own
creativity. They have no preconceptions as to what a song has to be, little
or no self-consciousness, and they experience a great deal of joy in simply
doing it.
My story
isn't the stuff of great novels, but I think it might be worth sharing
with some of you...especially those of you who are just starting out.
I discovered
I had a voice when I was in Grade 5. I auditioned for the school choir
and was the only one who got a part as a result of the audition, the other
person was picked by pulling a name out of a hat! This was really good
for my young little ego, and I remember going home after school and singing
at the top of my lungs until I was hoarse, I was so proud! My parents,
although they were happy for me, always gave me that "It's a nice
hobby, dear." line. When I wanted piano lessons, we couldn't afford
a piano to practice on. When my best friend Kelly got a guitar, well guitar
lessons were out of the question. They did get me a little guitar for
Christmas one year, but I had to make up things to play on it. In fact,
that is how my songwriting blossomed. Because I couldn't play the songs
I liked on the radio, I had to make up more of my own! On one of the very
first songs I "officially" wrote, my mother actually helped
me write a line when I was stuck. She passed away when I was not quite
fifteen, and before she knew how important songwriting was to become for
me.
The
emphasis was on getting a real job, getting married, and everything else
that comes with it. I assumed this attitude for many years and did exactly
what I was supposed to do. Although I kept playing and performing from
time to time, and had lots of encouragement from other people, I really
didn't take any risks and I didn't believe that much in my ability because
the people who mattered to me most didn't.
I would
venture out every now and then, only to find that "industry"
types had even less encouragement for me. I remember deciding one day
that I needed an agent. I did some research and found a few names, and
set up appointments with them. This was a major step for me. However,
I found that few of them were very interested in what I had to offer.
They said I should set myself with a male performing partner, or they
would spend the whole time talking about their other wonderful clients.
This reinforced my attitude about myself...that I wasn't good enough,
that I should just forget about music.
Another
time, I had signed my self with a booking agent and got the opportunity
to play at some ski resort. What did I do? I turned it down because I
had to work. I remember a friends' father who was a performer himself
said to me once after hearing me perform, "Next time you get an opportunity
to play at a ski resort, do it!" I knew that he thought I really
had something to offer, but I was still in doubt.
In the
meantime, I would occasionally play in public, and I would always get
wonderful responses from people, although I didn't believe them. What
did they know? They weren't in the "industry", like those agents
were.
I was
26 years old before my old belief system started to change, when I married
my husband Michael. Here was a guy who wouldn't listen to any of my old
crap! He absolutely, 100% believed in my music. Not that he liked all
of it...he's still my harshest critic when it comes to my writing and
although he's not a songwriter himself, he has an uncanny knack for picking
out all of the weak stuff!
It still
took another ten years...TEN YEARS...for me to get rid of most of the
old ideas about myself! I hung onto even part-time jobs until two years
ago, because I couldn't quite let go and let it happen. But gradually
I built myself a home-based business in music.
I teach
guitar to about twenty-five students, I do commercial voice-overs for
local television, I have a little recording studio in which I recorded
my first album (after two hundered or so songs, it was really hard to
narrow it down to eleven!), and I do some recording for others. I even
wrote a theme for a television show called "HOME CHECK WITH SHELL
BUSEY" which plays across Canada! And most importantly of all, I
continue to write my songs, which are such an integral part of who I am
that I couldn't imagine life without them.
I'm
ready for another step now in actually getting the songs some real exposure,
perhaps through other performers or publishers. And I've actually begun
to refer to myself as a SONGWRITER.
I have
absolutely no regrets, I don't spend my time wondering what could have
been. After writing for more than thirty years (if you count back from
those times at the kitchen table), I've come full circle in understanding
that this "joy" that I see in Gracie when she sings is what
I really do it for.
My philosophy
regarding life in general is the same: We begin by being ourselves, are
taught to be something other than ourselves, and spend the rest of our
lives growing back into ourselves. Perhaps in getting away from who we
really are, we are given the gift of learning just who that is.
Irene
Jackson is a performing songwriter from Victoria, BC in Canada.
Aside from writing, recording and performing, she also maintains a website
for songwriters that includes tips, articles and more links of interest.
Her eagerly anticipated CD "Catnip" is finally here, and her earlier recordings
have had attention everywhere from Japan to South America.